BAL DU MOULIN DE LA GALETTE

Bal du Moulin de la Galette (1876) by Pierre Auguste Renoir

Like many of his fellow Impressionist painters, many scenes Pierre Auguste Renoir painted were influenced from living and working in the Montmartre area of Paris. This painting, which hangs in the Musée d'Orsay, is one of his most important early Impressionist works. Several of Renoir's friends appear in the painting which portrays Parisians enjoying themselves in this popular dance garden in Montmartre.

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The photo was taken by me during my visit to the Musée d'Orsay in May, 2006.

YOUNG GIRL WITH HAT

Young Girl with Hat (1892) by Berthe Morisot

Berthe Morisot identified herself as an impressionist, that group of 19th-century French artists who rebelled against the Salon and the academic works exhibited there. Associated with Monet, Renoir, and Degas, Morisot was included in all but one of the impressionist exhibitions held between 1874 and 1886. Although associated with the renegade group, as a woman Morisot often escaped the unfavorable judgments the other artists received. Most 19th and 20th-century critics focused on the "feminine" qualities in her work: intuitiveness and delicacy.  Morisot is generally considered one of the most important woman painters of the late 19th century.

Morisot achieved significant recognition during her lifetime. Her work was included in George Petit's International Exhibition and in Paul Durand-Ruel's exhibition of impressionist painting in New York, both in 1887.  She was married to Eugène Manet, although previous to her marriage, she was romantically involved with Édouard Manet; the famous painter was her soul mate, but unfortunately married to someone else.

Her works can be found in the museums in Paris and around the world. This painting here is part of the permanent collection of the Art Institute of Chicago, and it is one of my favorite paintings. Unfortunately it has not be on view for some time.

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This photo was taken by me during my visit to the Art Institute of Chicago.

SUPPER AT EMMAUS

According to the Gospel of St. Luke, after the death of Christ, two of his disciples traveling down the road to Emmaus met a stranger and invited him to join them.  At supper the stranger blessed the bread and broke it to give to the disciples.  Immediately the disciples saw the stranger was Christ risen from the dead.  

This painting dramatically captures the moment when the disciples realize the stranger is Christ himself. Caravaggio painted this masterpiece in 1601 for a Roman nobleman and avid art collector.  The painting contains all the stylistic elements that Caravaggio is noted for: the realistic figures and the dramatic changes of light and dark, known as chiaroscuro.

This painting is part of London's National Gallery of Art's permanent collection, but in late 2009, the National Gallery lent the painting to the Art Institute of Chicago for three months in return for borrowing a painting by Francisco de Zurbará which would play a key part in an exhibition. During a visit to the Art Institute, I was fortunate to be able to see the painting on display.

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This post was originally published in my blog Tutti Capolavori on October 16, 2012. 
The photo was taken by me during my visit to the Art Institute of Chicago.

 

RECREATING AN OLD ART BLOG

This new blog has actually been recreated from an old blog of mine. I originally started Tutti Capolavori back in 2012, but that blog got thrown on the back burner due to trying to keep up with A Great Europe Trip Planner blog and my life.

However, I have decided to recreate it (along with naming it correctly by adding the "I" to the title). I'm going to start out by slowly copying the current posts from the old blog, then writing new posts about my favorite artists and their paintings from my visits to art museums, here in the U.S. and in Europe.

I hope you will enjoy this blog as much as my travel blog. Thank you for visiting.

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